Lil Waynes Covers XXL Magazine (News)

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Lil Wayne graced the cover of XXL August/September 2014 issue! Inside the mag Weezy talks about readying his 12th album Tha Carter V for release this year, admits that he’s nervous about how it will be received. He also shares why Prince is one of his biggest inspirations, and opens up about signing Drake and Nicki Minaj to his label.

On Tha Carter V: “I’m always feeling like I ain’t done shit. I’m still nervous about Tha Carter V… I’m confident about what I do, but I’m still nervous about what people think.”

On being authentic: “I know I’m authentic because I’m 35 million years in the game. I don’t know where the authenticity is in the game anymore. Today everyone sounds alike, they looking alike, they acting alike, they dressing alike. I came out when everybody was super different. You had an ODB. You had a Busta Rhymes and then you had a 2Pac. You had a Biggie. And everybody was different. Biggie was talking about Mob and Mafia shit. 2Pac was wylin’, talking about West Coast this and that. You had ni**as like Meth and Red talking about how high they got and making people laugh. And then now, you got them, them. You got the categories and then everyone falls under it.”

On Prince: “It was the way he pronounced words and the way he used his voice. It was like if he was playing with a baby. You know if he was playing with a kid. [Imitates a baby cooing] It was the way that he was exploring it. He wasn’t doing it because it was funny. He was doing it because he could make it sound good and exceptional. I realized that I could do that too. He wasn’t afraid of how he sounded because he knew what he was saying and how he was saying it would always sound good.”

On Drake: “Call me old-fashioned and country, but with Drake, that was the first time I’d seen someone that knew HOW TO SING and rap. That’s all it was. I didn’t know nobody who knew how to do that. You had those old school singing ni**as, where people would do a little eight-bar verse on their songs. But [Drake] was spitting and singing and killing that too. It took a while though. It wasn’t until I heard him spitting on one of my beats when I was like, ‘This fool’s retarded.’ When I hear something that I know I can’t do better? That’s when I’m like, ‘They need to be on the team.’”

On Nicki Minaj: “I wanted a female. Every team needs a female to rep your gang. She was annihilating ni**as. I mean males. I was like, ‘I have to beef my shit up on that muthafucka.’ She just knocked it out the park from day one. She’s just Nicki. I don’t know whose idea it was, but it was a good idea.”

Kendrick Lamar To Debut Short Film m.A.A.d at Sundance (News)

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This is huge!

On August 9th, Kendrick Lamar and award-winning director Kahlil Joseph will debut m.A.A.d, a 14-minute short film inspired by his acclaimed debut album, good kid, m.A.A.d city. The premiere will be held at Sundance’s first annual NEXT Fest, a mini-film festival showcasing budding directors and rising artists at the Ace Hotel Downtown in Los Angeles. Kahlil Joseph recently won a Sundance Award for his work with Flying Lotus on “Until The Quiet Comes,” and his stark, gripping montages of South Central, L.A. flanked Kendrick on stage during his performances on the Yeezus tour. m.A.A.d stars a fresh-faced cast plucked from L.A. corners, and is described as “a kaleidoscope of storylines and ideas that defy typical categorization to explore new languages and new forms.” Kahlil Joseph will be on site for a panel discussion, followed by a screening of Sundance winner Imperial Dreams and a performance from Tinashe. TICKETS ARE AVAILABLE here.